Review: Available Light, Manchester International Festival

Someone once said that writing about music is like dancing about architecture, to convey the absurdity of arbitrarily juxtaposing two very different forms of creative expression. Available Light is not quite dancing about architecture, but it shows what can happen when an architect, a composer and a choreographer collaborate outside of their unusual comfort zones.

In Available Light Frank Gehry’s sparse, architectural stage design sets the scene for Lucinda Childs’ choreography and John Adams’ modern classical score. Dominated by a huge chainlink fence and raised platform, the setting brings to mind several places familiar from American pop culture: the sidewalk, the bleachers of a sports event, or a seaside pier, sitting atop exposed, crisscrossed supports. Though simple, it plays a key part in the performance, bathed with stark light and silhouetting the stage.

It’s hard not to think of bathers when viewing Childs’ lithe dancers, in their skimpy, figure-hugging costumes; their regimented movements recall synchronised swimmers or the discipline of early morning communal exercisers. At times, they stand still, resembling Antony Gormley’s rows of figures looking out to sea at Crosby beach. At other times they swarm, reminiscent of a flock of birds. One of the best moments comes after a brief caesura suggesting nightfall; the dancers are lit as if by moonlight, drawing the eye to follow their flitting shadows rather than the movements themselves.

John Adams’ effervescent, multilayered soundtrack steals the show. It swells and ebbs, sometimes muffled and distant as if emerging from underwater and at other times crowded with bright bursts and silvery toots. It suggests found sounds collaged from technology, work and nature, from radio broadcasts and typing to trilling telephones to the creaking of gates, the rumble of industry, the passage of boats, the murmuring of owls and the whining of the wind.

Like much of the best American art of the twentieth century (it was originally performed in 1983), Available Light takes its inspiration from life. It sounds and looks like the city. Though small in numbers, Childs’ performers suggest a crowd, incorporating everyday movements such as stretches, twirls and kicks. The dancers move towards each other and pass by, around and through, yet never meet, appearing to follow some unspoken but long-established rules of the street. 

Available Light is at the Palace Theatre, Manchester until Saturday 8 July. To book visit http://mif.co.uk/mif17-events/available-light.

All My Heroes Are Weirdos - bedroom disco themed night starts at Retro Bar this Thursday

A new night is starting at Retro Bar on Thursday. Leaning towards the more alternative side of independent music, All My Heroes Are Weirdos, which will take place on the third Thursday of every month, takes its inspiration from bedroom discos and looks set to fill the vacuum left by much missed nights like Dot Dash/ I Could Care Less and previous Retro Bar nights like Killing Fantasy and Fight Club.

The organisers aim to counter what they see as the 'apathy' of Manchester's clubbing scene, and the night will complement the good work of existing discos like Panda Panda (currently sharing a night with Underachievers Please Try Harder at Saki in Rusholme), Underachievers Please Try Harder and Asparagus Next Left (Star and Garter).

All My Heroes Are Weirdos is the brainchild of four disillusioned Manchester clubbers, including Phill Daker who puts gigs on under the name Mushaboom Folk. He's joined by Emma Tillyer, Sean McGurdy and Heather Hewitt.

How are you going to be different to any other indie disco?

We’re all quite bored with the current crop of indie nights going on in Manchester. Most of them seem too concerned with playing what’s ‘fashionable’ … so we decided to start our own night and see how people respond. There are four of us involved in the night, each with our own music tastes, so hopefully we’ll strike a chord with other frustrated clubbers.

Do you think indie discos are generally too 'apathetic'/ 'vacuous', as you say on the All My Heroes Are Weidos facebook page?

I guess we were sick of spending our money on nights that only play new new music, where people go to them to pose and pretend to know all the words to the latest remix of the latest electro band. So yes … We do.

Is there enough diversity in Manchester clubnights?

A little, but not enough. Great clubnights will always exist here. We just want to be part of it…and not sit at home complaining. The DIY ethic is something we all believe in.

You describe a disaffection with 'fashionable clubs' on the facebook page - are you anti-fashion?

We’re definitely anti fashion within music. We’re not influenced by charts or who’s in the NME cool list, we’re just going to play the records we listen to in our own bedrooms.

Why should people venture out on a Thursday night rather then stay at home?

Thursdays are the new Fridays! And Retro Bar is a great venue, supporting Manchester music rather than harming it with high entrance prices… Plus it has drinks offers every night of the week!

You promise mixtapes at the launch - will they be monthly? Will people be encouraged to take their own and swap them?

The mixtapes are just for the launch at the moment, but if they get a good reception we may consider making them a feature of the night.

Will there really be cake and biscuits too? Homemade?

Yes! We like baking…

How did you come up with the idea of an anti-heroes disco?

We’re all fans of outsider music - oddballs, weirdos, geeks, punks, romantics. These are the people we love!

Will you be playing more obscure tracks by bands than might normally be heard at a club - ie. not necessarily the hits?

We can’t deny that the ‘hits’ will get people up and dancing, and singing along with each other, so we’re not going to be all snobby and not play them - we want people to have fun!
But we will be playing obscure tracks, and playing songs by bands you may not have heard of before, because we’re all proud geeks.

The music you're going to play is a lot different to the music you put on with Mushaboom - are you trying to deliberately do something that’s the opposite to your usual folkiness? / Are you hoping to attract the same crowd as at your Mushaboom gigs?

To make the distinction, Mushaboom and All My Heroes are unrelated...
Mushaboom is just me, whereas three other people are doing All My Heroes, each with their own input and music tastes. That’s why our night will stand out from the crowd.

Is your target market disaffected youth - people who might normally be a bit shy at a disco?

Not really thinking market wise: we are friends who are trying to make a night we would all enjoy and hope other people will too. Although we do want people of all dispositions to feel comfortable at our night and not feel like they can’t come and ask us to play a song!

You mention ‘secondhand records’ in the blurb to the night-are you going to be playing vinyl?

There maybe vinyl, CDs, laptops we are taking a DIY approach to the night, learning as we go along not promising the tightest DJ set, just the music we love.

Why did you decide to name your night after the !!! [genre defying California party band] song?

Without looking too deep into it, we all came up with some ideas and agreed on 'All my Heroes'. The name just seemed to represent what we wanted our night to be about. Its a great tune too!

http://www.myspace.com/amaw

All My Heroes are Weirdos launches at Retro Bar, Sackville Street, on Thursday April 30 at 9pm, with drinks offers and cheap doubles all night.

Expect to hear: Radiohead, Blood on the Wall, Sleater Kinney, Wire, Bratmobile, The Thermals, Patti Smith, Yeah Yeah Yeahs, Sonic Youth, PJ Harvey, Pavement, The Fall, Casiotone for the Painfully Alone, Alaska in Winter, The Knife, Sufjan Stevens, Clap Your Hands Say Yeah!, The Teardrop Explodes, Deerhoof, Deathcab For Cutie, The Magnetic Fields, Vivian Girls, Daniel Johnston, Deerhunter, Neutral Milk Hotel, Scott Walker, Wolf Parade, The Pastels, Talking Heads, The National, The Modern Lovers, The Cramps, Jeffrey Lewis, No Age, The Slits, Cut Copy, My Bloody Valentine, TV on the Radio, The Mae Shi, Electrelane, David Bowie, Kate Bush, Devo, Bikini Kill, Pains of Being Pure at heart, Animal Collective, The Sugercubes, Of Montreal, Can, The Organ, (We Are Performance), Patrick Wolf