The Shrieking Violet ‘zine was founded in the summer of 2009 to show the fun that can be had in the city for free, and the beauty and creativity that surrounds us everyday. From buskers, gargoyles, grotesques and public art, to street names recalling Manchester’s historic links with science, the textile trade and industry, all you need to do is look (or listen) to what’s around. Let the Shrieking Violet be your guide and starting point for adventures in the city!
Next Saturday (Saturday 13 February), the Shrieking Violet will be leading a street art tour to celebrate 30 years since the Centre for Chinese Contemporary Art (formerly known as the Chinese Arts Centre) was established, and to coincide with an exhibition featuring artists from RareKind illustration agency, which opens on Friday 5 February.
The Shrieking Violet calls for an expanded definition of street art, to include not just what we might usually regard as street art, ie that which is covert, transient and wall-based, but to situate street art within a wider context of all art which is publicly visible on the streets of Manchester, from mosaics and architectural adornment to statues and sculptures.
Street art is something which we have all seen, and about which most of us have an opinion. The tour will be informal, accessible, flexible and participatory, with participants invited to share, reflect on and challenge their own perceptions and experiences of street art and to disclose any particular favourites in the area. The tour will invite discussion on questions such as: Who gets to decide what is art, and who is an artist? How do works of art on the street influence perceptions of a place, both by the people who live/work there and externally? What is ‘beauty’, and who decides what’s beautiful? Does art need to be beautiful? Can a value be placed on street art?
The tour will visit two distinct areas of Manchester city centre – Chinatown and the Northern Quarter – as part of a broader narrative of change and evolution. Manchester has transformed from an industrial Victorian city to a modern city known for its entertainment, creativity and leisure/shopping opportunities, and this can be read through the art on its streets (or lack of it in certain places). Street art may have different motivations, from self-expression and ownership of spaces to decoration, celebration and commemoration of heritage, but all contribute to the identity, atmosphere and demographic of different areas and show how people have shaped Manchester over time.
This is also a tour of contrasts and comparisons, from public art which is official and council-endorsed, and commissioned from high-profile artists, to gallery-supported initiatives and local businesses promoting local artists, to corporate sponsorship of street art, and street art techniques which have been co-opted for advertising purposes, to that which is unsolicited and illegal.
Tickets cost £7. To book, click here.
Showing posts with label Street art. Show all posts
Showing posts with label Street art. Show all posts
Wednesday, 3 February 2016
Friday, 18 June 2010
The world outside Manchester part 1 - Berlin






Another memorial, near the Reichstag (visitors to the Reichstag can find out about the history of the German Parliament as well as look out over the city from Norman Foster's recent glass extension), remembers the Jewish victims of the Holocaust. Smooth, grey concrete blocks, growing gradually taller, draw you down cramped corridors, over a rising and falling floor, as if in a maze. In the centre, where the blocks are tallest, it's a bit like being lost in a dense forest, bleak even on a sunny day and quiet despite the busy roads which encircle the memorial. Across the road is a real forest - the massive Tiergarten which provides a huge urban park in the centre of Berlin, complete with canals and lakes, as well as more formal rose gardens and long boulevards. You could spend days exploring the Tiergarten, or just use it as a green shortcut to other areas of the city.
After the Jewish memorial, it was strange to go to another exhibition of oppressive corridors and small spaces - a Bruce Nauman show at the Hamburger Bahnhof modern art gallery, part of the Berlin Biennial. As well as permanent displays on Fluxus and twentieth century artists like Anselm Kiefer and Dieter Roth, Nauman's work was on show based around constructions of tight corners and corridors leading to nowhere, lit by neon lights.
Berlin is also full of smaller galleries, particulary concentrated in the area of Mitte, around Auguststrasse. In Weisser Elefant, viewers had to put slippers on over shoes to enter a recreation of a 1960s East German apartment, exploring the concept of the ideal socialist family unit based in pre-fabricated housing. One of my favourite galleries was in a comic book and zine shop called Bongout on Torstrasse. In the back is an exhibition space, featuring a display of cartoons and giant, colourful comic books, whilst at the front are gig posters and artists' books and zines. Here, I picked up a flier which told me about a tape music gig at an artists' space in Neukölln, an area just past Kreuzberg.


All the bars (and even a Mercedes showroom!) were showing the World Cup on TV screens outside on the street, and following Germany's defeat of Australia, the whole city celebrated in a massive blaring of car and taxi horns. Pedestrians are outumbered by cyclists in the city, and cyclists too joined in with a mass tinkling of bells.
*I gave them some copies of the Shrieking Violet fanzine for a zine fair they are holding at the end of June
Labels:
Altes Finanzamt,
Berlin,
Bongout,
Bridges,
Busking,
Eastern Comfort,
Germany,
Graffiti,
Kreuzberg,
Reichstag,
River Spree,
Street art,
Tiergarten,
Travel,
World Cup,
Zines
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