This has entailed returning to the cheap photocopier shop on Oxford Road where I copied issues of The Shrieking Violet between circa 2009 and 2014.
It felt really strange stepping back into a spot where I had spent so many hours engaged in the repetitive and almost meditative motions of copying, folding, ordering and compiling. I always thought of The Shrieking Violet as a zine about the city, but I realised for the first time how personal and autobiographical they were at the same time, almost like a diary of discovery and learning at a formative time of my life. Reading back now, I was struck by how righteous my younger self was at times, but also by how long I’ve held the same interests and motivations (from a very early age), which have only deepened and expanded over time. 
Part of me wondered how I ever had the time, energy and motivation to do such things, how I managed to write so much, and if I was mad to do this.
I thought about getting a set of back issues printed professionally for the library (which would have been a lot less onerous and time-consuming), but going back to the photocopier made me realise how intrinsic the material and act of photocopying and folding by hand was to The Shrieking Violet. While there are many things I would do differently now, not just from a design perspective, but to improve accessibility and legibility (for example I never realised how tiny the text was!), there’s something that really appeals to me not just about the instant, cheap format, but the unpredictability and randomness of the quality of the reproduction and the tone of the ink according to the individual machine. Perhaps it’s because no matter what my interests are, the spirit of punk is there somewhere in the background, underlying everything I do …
I also always enjoy becoming reacquainted with one of my favourite ever interviews, with the artist Maurice Carlin, in issue 12 of The Shrieking Violet (2011), about his project The Self Publishers, which collected and compiled discarded sheets found in photocopier shops around Manchester and Salford.
Other issues particularly pertinent to Salford include issue 9 (a special guide to Sounds from the Other City festival), issue 23, which features Claire Hignett on the story of the Basque children who were evacuated to Salford during the Spanish Civil War, and issue 24 (The Shrieking Violet guide to the Public Art of Central Salford).
The zine collection can be viewed during library opening hours (24-hours daily for students) and during staffed hours (until 9pm daily) for visitors, at the Clifford Whitworth Library, University of Salford, M5 4NT.
All back issues of the Shrieking Violet can also be viewed online at www.nataliebradbury.co.uk/publishing.
