Tuesday, 29 December 2015

The Shrieking Violet guide to the public art of central Salford

This guide was created as a tour for a group of human geography undergraduates in November 2015. This tour aims to offer a brief introduction to the historical context and development of public art, and some of the debates, concerns and issues surrounding it, asking questions such as ‘What is public art?’ and ‘What form does it take?’.

The guide takes as its starting point the post-war era, widely regarded a time artworks began to step down from the gallery plinth to be installed in public places and buildings, though many of them used the same form and materials, and relied on the same assumed distance between artwork and viewer, and framework of interpretation, as artworks which might be seen in a traditional institutional setting. It concludes in the present-day. The guide moves from a presentation of object-based artworks to highlighting artworks which are ephemeral, activity and performance-based, and may leave the viewer with little or nothing to look at on a permanent basis, but nonetheless contain the potential to transform the way their participants think about and experience the city, and interact with certain spaces and situations. On its way, the guide takes in artworks which aim to engage with communities and local people, as well as artworks linked with specific places and pieces linked with wider agendas of tourism and regeneration. 

It was assumed that students had little, if any, familiarity with the area, so this publication also acts as an introduction to an area of Salford which has undergone several phases of development, decline and renewal and is currently undergoing transformation and attempted gentrification at an accelerated pace. It starts at the University of Salford, progressing down the Crescent and Chapel Street. This guide draws on a number of sources, including original interviews undertaken with artists, curators and others involved in public art in the area and published elsewhere, including on this blog.

Thanks to those who came on the tour and interacted with, discussed and commented on the content. Read online:

No comments: