The Shrieking Violet issue 17 accidentally turned out to be an architecture fanzine (or at least, if there's a theme it would be buildings and the built environment), possibly a subconscious influence from visiting the Archizines exhibition in London in November. Pavilions run through the issue (and I have written about my favourite pavilions in architecture and art).
South Manchester-based illustrator Andy Carter was inspired by pavilions to create the cover. He says: “The inspiration for it came from when you said you were writing about pavilions, although I may have mistook that to mean 'bandstands'. So I just thought about what happens on bandstands like brass bands, street performers and chavs/tramps hanging around.” Andy is equally inspired by everyday life and more subjective narratives. His work is heavily reliant on line, shape and texture. He enjoys screen-printing and margaritas. I've wanted to ask Andy to do a cover ever since he illustrated a double page spread on Channel swimmer Sunny Lowry for the Victoria Baths Fanzine Convention Souvenir programme.
Following the excitement of last year's Festival of Britain 60th anniversary year, Joe Austin has written about the spin-off Live Architecture exhibition that took place in Poplar in 1951. Joe is a qualified Architect, originally from the Midlands but a naturalised Londoner for the last 22 years or so (he lives just up the road from the site of the Live Architecture exhibition). Joe's interests are wide (his blog best illustrates his scattergun mind), but generally revolve around writing, design, architecture, art, culture and history. He likes nothing better than learning new aspects of things he thought he knew about. Joe is a fellow William Mitchell fan, and lover of twentieth century art and design, which is how I discovered his wonderful blog.
Kenn Taylor has contributed an article about the 'boom and bust' of social housing, with specific reference to the Woodchurch Estate in Birkenhead. Kenn is a writer and journalist based in Liverpool with a particular interest in the relationship between culture and the urban environment.
Liz Buckley has reviewed Lost is Found, an exhibition currently showing in gallery 1 at the Cornerhouse. Liz is a final year Art History student from Salford. She studies at Manchester University and is going to start an MA in Gallery Studies in September. She loves post-war art and is an aspiring curator and art critic in her spare time.
Jessica Mautner has written up a recipe for 'Liverpool Corpse Cakes' – biscuits inspired by both the local Chinese community and Victorian funeral rituals which were handed out to passers-by in Liverpool city centre in November. Jessica is a multidisciplinary artist based in Manchester. She makes temporary, site-specific encounters which are a political response to place, space, history and community. Her materials-based, experimental practice explores sensoria, particularly through texture and taste, and she is interested in the negotiation and subversion of built and planned environments by flexible organic forms. In the past few years, she has taken part in exhibitions, residencies and festivals across Europe and the UK; in January she made a new piece in Newcastle commissioned by Situation Rhubarb, and her short film Phi is showing at Bangkok Experimental Film Festival.
Richard Howe has written about Alfred Hitchock's classic film Spellbound. Richard is a Manchester-based filmmaker, caterer and musician (google Realitease@vimeo.com, Devilsorange@youtube.com, Tremors@vimeo.com). Look out for Dream Bubble, Realitease Feature and Frankenmovie projects. Hear his music here.
Steph Fletcher has drawn inspiration from Escher to illustrate Richard's article. Steph recently started an MA in art at the University of Central Lancashire in Preston, and helps run the North West-based zine Twigs and Apples. She enjoys drawing, writing, cycling and vegan cooking.
Nick Mitchell has contributed two short stories. He was born in Bradford in 1975 and has lived in Manchester since 1999, working as a musician, writer and record label owner (Golden Lab Records). His musical projects have included Summum Bonum, I Had An Inkling, Beach Fuzz, A Wake, The Gamecock, Float Riverer and Chalaque. His stories and poems have been published in both the UK and the USA.
Read the Shrieking Violet online here:
Download and print your own copy of the Shrieking Violet here.
Very badly photocopied copies will can currently be found at Islington Mill, Salford and Cornerhouse, Manchester and will left around various places around Manchester city centre next week, including Piccadilly Records, Good Grief! shop (in the Soup Kitchen), Koffee Pot, Oklahoma and Nexus Art Cafe.
To request a copy in the post (free) or to contribute to future editions email Natalie.Rose.Bradbury@googlemail.com or join the Shrieking Violet Facebook group.
To request a copy in the post (free) or to contribute to future editions email Natalie.Rose.Bradbury@googlemail.com or join the Shrieking Violet Facebook group.
Also recommended
Your City Is A Public Orchard is a new guide to foraging in the city made by Hotspur House-based Textbook Studio. It's a book with a handcrafted feel and plenty of pictures, which folds out into a page full of recipes for nettles, rosehips and much more! Best of all, it's free and can be picked up from various locations around the city.
Your City Is A Public Orchard is a new guide to foraging in the city made by Hotspur House-based Textbook Studio. It's a book with a handcrafted feel and plenty of pictures, which folds out into a page full of recipes for nettles, rosehips and much more! Best of all, it's free and can be picked up from various locations around the city.
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