The Shrieking Violet in the Skinny (magazine launch tonight)

The Shrieking Violet is pleased to feature in the first issue of the Northwest edition of the Skinny, a free arts and culture magazine for Manchester and Liverpool which launches in Manchester at 2022NQ this evening (from 6pm, Facebook event here. Conveniently, the latest edition of the modernist magazine, themed 'Capital', is also launching this evening just down the road at the CIS tower, also from 6pm). The Shrieking Violet is represented in the feature 'What's Your Northwest', for which interviewees were asked questions about place, community and belonging. I was asked interesting questions, and answering them has really helped me think about how to approach the lecture I am doing about the Shrieking Violet for Unit X students at Manchester Metropolitan University in a couple of weeks, so I decided to reproduce the questions, and my answers, in full below.

Read the full magazine online here, or look out for paper copies around Manchester:

I've not read the whole magazine yet, but there are some great features by former Shrieking Violet contributors and collaborators Lauren Velvick (who previews an upcoming show at the Cornerhouse) and Sam Lewis, who interviews Shrieking Violet favourite Rozi Plain.

TS: What motivated you to set up The Shrieking Violet, and get involved in independent publishing and particularly in Manchester? Who/what were you inspired by, and what did you hope to do with the Shrieking Violet, both personally and in a wider community sense? 

SV: I moved to Manchester for university in 2005 and realised quickly that I wanted to make it my long-term home. After graduating I did a qualification in newspaper journalism but it was a terrible time to be trying to enter the media and it was difficult to even get work experience. I was unemployed for nine months, but decided to make the best of the situation so started blogging about the city around me. In summer 2009, I decided to put the skills I'd learnt on my journalism course to use and take the Shrieking Violet off the page to become a printed zine – if I couldn't be part of the established media then I was going to make my own media, covering things I found interesting that weren't being written about elsewhere. I was disillusioned with the way in which Manchester was marketed, which was all about shopping and consumption, so the Shrieking Violet was conceived as an alternative guide to Manchester which encouraged readers to make their own fun, think creatively and realise the adventures they could have in the city without spending a penny. Having a project and putting something out into the world helped focus my life and lift me out of depression.

I'd wanted to make a zine since I was a teenager, as my dad had loads of old punk/indie/goth zines in the attic, but when it came to making my own I decided to stay away from music as there were already Manchester zines which were covering music very well. Belle Vue zine (which started in December 2008) was a major influence on me realising that the city itself, its residents and their memories and experiences, joys and frustrations, could be the subject of a zine.

TS: And what keeps you motivated to do it – what's your favourite thing about what you do? 

SC: The great thing about blogs and zines is that as soon as you've written about a subject you will find someone else who is writing about something related to that topic too, and more often than not discovering each other starts a dialogue and reciprocal relationship. My favourite thing about making the Shrieking Violet is all the people I have met, who have gone on not just to be contributors but regular correspondents and sources of motivation and inspiration. One of the most rewarding things has been being asked to collaborate with other people, and take part in one-off projects. In 2010 the organisers of Salford's Sounds from the Other City music festival asked me to design the official programme as a special edition of the Shrieking Violet, so I teamed up with illustrator Dominic Oliver to create a souvenir guide to the festival's highlights and the surrounding area. In 2011, the Shrieking Violet got together with psychogeographic walking group the Loiterers Resistance Movement and architecture enthusiasts Manchester Modernist Society for a project called Manchester's Modernist Heroines, which celebrated ten overlooked Manchester women from the twentieth and twenty first centuries through a publication and series of walks.

TS: You write extensively about Manchester and the Northwest region on themes of place, history, society, belonging, architecture, and more. What particularly fascinates you about the place you live, its people, its community, if you had to define it...? 

SV: What fascinates me about Manchester is how much history is written into the streets and buildings, to experience as you go about your everyday life. From street names based on the textile trade to churches, public parks and swimming baths, you really get a sense of Manchester's past and how society used to be. You can marvel at the infrastructure of the industrial age by looking at canals and railway viaducts which are still in use today, get a sense of textile magnates' wealth by looking up at grand warehouses (even if they are now turned into warehouses or apartments), try to imagine life in the former mass workplaces of mills and factories, now standing silent, and see remnants of industrial philanthropy in lads' clubs and ragged schools. These aren't the kind of heritage venues where you have to pay a tenner to get in, put plastic coves on over your shoes or peer at rooms over velvet ropes – these are buildings which in many cases are still getting on with a job and fulfilling a use, even if it's not their original purpose. Manchester's cityscape tells you just as much as any palace or castle about how people used to live, work and socialise, as well as constantly changing and embracing the future.

TS: What's the most unexpected or surprising thing you've discovered about this city/its culture/its people while researching and writing about it (or indeed reading articles others have contributed to the zine)? 

SV: What is unexpected and surprising is some the subjects which crop up over and over again as being important to people living in Manchester. One of these is public transport. The Shrieking Violet has featured articles on everything from never-realised plans to build a tunnel linking the city's two main stations – along with a specially-drawn, London-style map showing what an underground system for Manchester might look like – to an illustrated article about Metrolink, a reappreciation Manchester's neglected Victoria station and even an homage to Finglands buses! I also loved being introduced to some of the inspiring and often overlooked stories of the women celebrated in the Manchester's Modernist Heroines project, who might not have crossed my radar otherwise – from mummy expert Rosalie David to radio producer and presenter Olive Shapley and sculptor Mitzi Cunliffe.

TS: And what's your most treasured revelation - what are you really glad you found out? 

SV: The thing I treasure most is the range of the people who have featured in the Shrieking Violet, whether as interviewees or as contributors. Some of my favourite interviews have been with Manchester's street buskers, who have really interesting stories to tell yet many people never stop to talk to them. I also love finding out about the particular passions or expertise of contributors – for example one man, who has been speaking Esperanto since 1967, wrote about all the international adventures the language has enabled him to have. Another took it upon himself to swim in all of Greater Manchester's numerous public swimming baths, and has now produced an illustrated guide. I've also enjoyed finding about other people's projects, for example film-makers who have written about their work. In 2010 I made a media special of the Shrieking Violet focusing on Manchester's history as a centre of the newspaper industry and this prompted someone who once worked inside Manchester's Daily Express building to get in touch, leading to an article about what it is really like to work for the Daily Sport! I've also loved it when members of Manchester Modernist Society have shared their enthusiasm for some of the overlooked and often neglected mosaics, murals and other artworks which brighten the walls of university buildings and various other places around Manchester.

TS: There seems to be a very strong, visible independent print community in Manchester, Liverpool and beyond. Would you say it's changed/evolved since you first got involved – maybe got bigger, wider...? What kind of community have you encountered, why do you think it's so fertile and what binds you all together? 

SV: The thing that makes self-publishing so attractive is that anyone can do it, whether they are just photocopying pencil drawings and poems or lovingly screenprinting original designs, and there's a growing audience for that tactile, hand-printed, limited edition format. There have never been more opportunities for self-publishers and members of the print community to show off their work, and one area which is really booming is zine fairs and print fairs. Another interesting development is how established zines have become within institutions such as colleges and universities – it's quite common now for illustration, design, photography and fashion courses, for example, to include a student project on making a zine, and it's nice when groups formed at university stay together and continue to publish after graduation.

TS: What is 'your' Manchester? If you had to choose just five places for people new to the city to visit on a sort of 'alternative' tour, what would they be and why? 

SV: 'My Manchester':

1. Canals

The Ashton, Bridgewater, Rochdale and Manchester Ship canals are the city's underlooked green spaces. Whereas once canals would have been polluted and congested, today they are places for pleasure, from canal boating, foraging and bird-watching to walking and cycling. For an awe-inspiring sight head to Barton (near the Trafford Centre), where the Bridgewater Canal makes a spectacular crossing of the wide Manchester Ship Canal by aqueduct, and cars drive over a swing bridge.

2. Ancoats

Ancoats is dubbed 'the world's first industrial suburb', or the cradle of the industrial revolution, and a number of centuries-old mills still remain. Today the area is being converted to residential and commercial use, but Dan Dubowitz's public art project the Peeps, which teases viewers to find a number of small viewing holes dotted around the outside of buildings, gives a tantalising glimpse of what might once have gone inside the area's factories and workshops.

3. Public parks

Manchester is not known for its green spaces, but in fact some of the county's first public parks were in Manchester and Salford; Philips Park in east Manchester, Queen's Park, Harpurhey and Peel Park, Salford all opened in 1846, whilst Heaton Park in Prestwich is one of the largest parks in Europe. In the city centre, too, there are plenty of quiet places to sit and eat your lunch, lay around in the sun or have picnics and barbecues in summer. Like most places in Manchester, the city's green spaces sit on layers of history – literally in the cases of some of the city centre gardens like Angel Meadows and St John's Gardens, Castlefield, which are on the site of slums and mass burial sites.

4. Residential suburbs

Wander around some of the city's suburbs and residential communities to see how other people have lived over time, from the Georgian cobbled streets of Fairfield Moravian settlement, nestled amid the suburban sprawl of Tameside, to the big houses around Old Broadway in Didsbury and Chorltonville, an Arts and Crafts-style village-within-a-village in Chorlton complete with its own village green.

5. Star and Garter

Manchester is known for its music and party culture after all! It may not be the city's most glamorous venue, but the Star and Garter really caters for music fans (and people like me who might not go to clubs otherwise) by offering theme-nights for lovers of certain bands, from Belle & Sebastian to Pulp and Pixies and, of course, the Smiths/Morrissey! It's been a big part of my life since I arrived in Manchester as a student – the first Manchester gig I went to was at the Star and Garter – but there's a chance it might get knocked down to make way for an extension to Piccadilly train station, so I recommend making the most of it while it's still here!

TS: If you had to evoke the character of the city you live in in just a few words, how would you describe it?

SV: (This was the question I found hardest.) The rain's just a distraction.

Manchester Beekeepers Association, Heaton Park (Manchester Food and Drink Festival)

The annual Manchester Food and Drink festival started yesterday, and Manchester is full of events celebrating the city’s culinary culture. One of the most unusual will be held in Heaton Park this weekend, where the public can get a close-up look at the art of beekeeping. I visited last year and spoke to some of the keepers (an interview I never got round to using).

The Manchester and District Beekeepers Assocation, which formed in 1895, has been housed in Heaton Park in Prestwich for over twenty years. The society was awarded £500,000 by Manchester City Council and five years ago moved into the park’s handsome eighteenth century Dower House, a small building with imposing pillars and a gravel drive in the grounds of the stately home Heaton Hall.
Secretary Maggie Bohme said: “We’re very lucky. We have the best facilities in the country. We have a thriving association and get members travelling from as far away as Bolton and Bury. Some people come down in their suits after work. For many people, it’s a restful and stress-relieving activity.”

She continued: “Beekeeping is more popular than ever, although we lost 50 per cent of our colonies in a year, through a virus and other factors. Most keepers have lost a third of their colonies but don’t really know why. It could be to do with the weather or some kind of mite.”

The association has petitioned the government for more research into the declining number of bees. Bohme explained: “Bees contribute £165million per year to the economy, yet the government only spends £200,000 on research into bee health.”

Amidst buzzing (bees fan their wings to maintain a 35 degree temperature to draw water from the nectar) and the sweet smell of honey, visitors can watch bees through magnifying glasses and observation hives, as well as see besuited keepers at work in the outdoors apiary where the bees are kept.

Bob Marshall, an instructor on the society‘s Monday night beekeeping course, said: “We work the hives in small teams. Visitors can get a snapshot of what it’s like on any particular day.”

He explained: “We keep the bees in artificial swarms as it gives them more room. The Queen has a brood box with a landing board and above are supers where the nectar is stored. We use different things like Himalayan Balsam. They love that. ”

We were told the difference between different types of bees: “Drones spend their time doing nothing in the drone congregation area. At two weeks old the virgin bee mates with 12 to 15 drones then never goes out of the hive again. The drones die after they have mated with the queen. The Queen is then fed, groomed and does nothing but lays 1000 to 2000 eggs per day, which hatch after about three weeks.”

All this, plus navigation and flying, is done in the dark, with the help of the wonderfully named waggle dance, a figure of 8 dance that tells other workers how far away a forage is, and which direction it is in.

The honey is made in the extraction room, where wax is separated using a coarse filter. Visitors are advised: “Don’t buy supermarket honey as they blend it with honey from different beekeeping counties.”

Buying local also has another benefit: “If you’re an asthma sufferer, buy honey from within a three-five mile radius as it builds up your resistance.”

As well as honey, visitors can purchase hand cream, furniture polish, propolis and candles. Different types of honey can be sampled on delicious honey crunch biscuits; volunteers make specialist honey such as borage, mixed floral honey and heather honey - which is the most expensive and described as ‘heavy’.

The society also dispels some myths about bees and clear up some common misconceptions, for example clarifying that bumblebees are ‘rounder and hairier’ than honeybees. They also give all important advice on how to avoid nasty stings: “If a bee lands on you, it’s curious - it thinks you’re serious or something. Stand absolutely still - close your eyes and mouth." A bee sting is barbed like a fish-hook with a venom sack on the end.
They also make sure there’s no chance of confusing bees with certain other flying creatures: “A wasp will sting you for the sake of stinging you because they’re nasty carnivores. They don’t leave stings.”

www.mdbka.com

Manchester Food and Drink Festival is on until October 12

www.foodanddrinkfestival.com

The Dower House will be open for the Food and Drink festival from 2-4pm on Sunday October 4.

It is open to the public on Sundays from 12-4pm.

Manchester and District Beekeepers Association
The Dower House
Heaton Park
Bury Old Road
Prestwich
M25 2SW

www.heatonpark.org.uk

Capture Manchester, CUBE

If you could sum up Manchester in a single image, what would it be? And is it possible? An exhibition at CUBE sets out to capture the spirit of Manchester, comprising of hundreds of images - mainly photos - sent in by the public. The postcard size images offer snapshots of Manchester life, from its landmarks to small, neglected corners and alleys most of us walk straight past on a daily basis, with ten winning entries receiving £500 for their shots. There's no single image that, taken in isolation, says Manchester and sums up its essence, but taken as a whole the images give a sense of the chaotic fragments that make up life in the city.

I wasn’t impressed by the judges' choices of winners which, apart from a shot of graffiti boasting 'Gorton girls know all the words to songs by Chaka Chan', seemed a bit predictable. Winning images will be printed as postcards (click here to read Phil Griffin's excellent article about the lack of variety of Manchester postcards).

As you’d expect, Castlefield is well represented in the submissions, including the often seen shot of its two towers - an old, redbrick one rising from the shadow of the Beetham tower that dominates the city skyline. The famous curves of Central Library are returned to over and over again, and it’s good to see B of the Bang commemorated before it goes forever.

Many photos take the architecture of the city as their starting point, often focusing in on quirks like gargoyles. Old and new is a recurring theme, and one of the most effective shots places ornate redbrick turrets against the protruding glass blocks of the new civil justice centre in Spinningfields, a bizarre and extreme juxtaposition. The derelict Department of Employment building, its former purpose just about identifiable from battered letters on the front, takes on a new relevance for our times. Victoria Station deservedly gets a look in, with its map of railway routes, and the destination signs outside, where a tiny Hull is squeezed in between Newcastle and Belgium.

There is a large number of photos of triumphant symbols of the new Manchester like Urbis and the big wheel, many of which are embellished with technical trickery and special effects. The ones which are unplayed with are more effective, though, showing Manchester in its natural state, from the utilitarian street namies of Ancoats - Mangle Street - to a row of boarded up terraces. Pictures close in on doorways and abandoned entrances or the front of an Asian grocer's and an MEN newsagents. A worthy winner would have been the photo taken from the top deck of a Magic Bus, a rival Finglands in the background - what could be more typical of the Manchester experience than a journey along the Wilsmlow Road corridor at peak time?

My favourite photos are the ones that look beyond the glossy image - all shiny glass and big gestures - that's sold to tourists and could be seen in any of the council's promotional literature. The photos are best when they just show what's there already, and make us look at it closer, rather than trying to impress by montaging or photoshopping. For example, the area outside the Thirsty Scholar and the Attic with its spiral staircase is given a new, fairytale magic when framed in black and white that would be missed by the casual observer.

Among my favourites are those which look past Manchester's monuments and architecture, forego grand aerial views to get down to the level of its inhabitants - one photo even crouches down to a goose's eye level.

It's Manchester's inhabitants that make the city what it is, after all. A portrait of a teenager wearing a tshirt asking ‘Do I f***ing look like I’m a people person’ is instantly recognisable to anyone who spends anytime in Cathedral Gardens at the weekend, where teenagers congregate. Canals and woodland are more interesting when they have people silhouetted against them, Piccadilly Gardens more alive when children play in its fountains. The shiny new city of Spinningfields is made more human by a woman waiting by a 'Meet me in Spinningfields' poster -the advertising message becomes literal rather than an empty slogan of redevelopment.

The best photos are those dictated by circumstance, such as sunshine catching on street sculptures in New Islington, a springboard for a burst of sunlight to leap out against a cloudy sky. One of my favourite photos shows the outline of a couple holding hands in the snow, next to the Temple in Heaton Park.

Until April 18.

Incidentally, I'm far too disorganised for submitting anything to any exhibitions. I think this is my favourite Manchester photo, of Plymouth Grove pub in Ardwick, taken well over a year ago. It was the first photo I developed by myself, and wasn't meant to come out so dark, but I thought the darkness suited it perfectly, making its distinctive clock tower (Grade 2 listed) stand out against a moody Mancunian sky. The pub's derelict and boarded up, in an area that's had huge building programmes going on all around it. I don't know if it's still there, but I hope so.